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	<title>Developing Medium Format Film Archives - Medium Format Photography</title>
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	<description>Medium Format Techniques, Gear &#38; Tips (Film + Digital)</description>
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	<title>Developing Medium Format Film Archives - Medium Format Photography</title>
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		<title>Rodinal For Medium Format Development</title>
		<link>https://mediumformatphotography.com/rodinal-for-medium-format-development/</link>
					<comments>https://mediumformatphotography.com/rodinal-for-medium-format-development/#respond</comments>
		
		<dc:creator><![CDATA[Ken]]></dc:creator>
		<pubDate>Wed, 11 Mar 2026 22:08:49 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Developers]]></category>
		<category><![CDATA[Developing Medium Format Film]]></category>
		<category><![CDATA[Tutorials]]></category>
		<guid isPermaLink="false">https://mediumformatphotography.com/?p=745</guid>

					<description><![CDATA[<p>There are developers that photographers use, and then there are developers that photographers believe in. Rodinal, or Adonal as it&#8217;s sometimes branded, belongs in the second category. It is one of the oldest photographic chemicals still in active production — a concentrate so simple, so stable, and so opinionated in its results that it has...</p>
<p>The post <a href="https://mediumformatphotography.com/rodinal-for-medium-format-development/">Rodinal For Medium Format Development</a> appeared first on <a href="https://mediumformatphotography.com">Medium Format Photography</a>.</p>
]]></description>
		
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		<title>Wet Mounting Issues with Medium Format</title>
		<link>https://mediumformatphotography.com/wet-mounting-issues/</link>
					<comments>https://mediumformatphotography.com/wet-mounting-issues/#respond</comments>
		
		<dc:creator><![CDATA[Ken]]></dc:creator>
		<pubDate>Fri, 20 Feb 2026 21:23:04 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Developing Medium Format Film]]></category>
		<guid isPermaLink="false">https://mediumformatphotography.com/?p=617</guid>

					<description><![CDATA[<p>The Case Against Wet Scanning: Why Mounting Fluid Might Not Be Worth the Trouble After years of experimenting with wet-mount scanning, I&#8217;ve come to a conclusion that might be controversial in film photography circles: for most of us, anti-Newton ring glass is the better path. Here&#8217;s why. The Promise of Wet Scanning If you&#8217;ve spent...</p>
<p>The post <a href="https://mediumformatphotography.com/wet-mounting-issues/">Wet Mounting Issues with Medium Format</a> appeared first on <a href="https://mediumformatphotography.com">Medium Format Photography</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Ilford HP5 Plus — History and Developing Tips</title>
		<link>https://mediumformatphotography.com/ilford-hp5-plus-history-and-developing-tips/</link>
					<comments>https://mediumformatphotography.com/ilford-hp5-plus-history-and-developing-tips/#respond</comments>
		
		<dc:creator><![CDATA[Ken]]></dc:creator>
		<pubDate>Thu, 19 Feb 2026 12:30:25 +0000</pubDate>
				<category><![CDATA[B&W Photography]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Developing Medium Format Film]]></category>
		<category><![CDATA[Ilford HP5]]></category>
		<category><![CDATA[Tutorials]]></category>
		<guid isPermaLink="false">https://mediumformatphotography.com/?p=601</guid>

					<description><![CDATA[<p>If there&#8217;s one black and white film stock that has earned its place in nearly every film photographer&#8217;s bag, it&#8217;s Ilford HP5 Plus. It&#8217;s not the sharpest. It&#8217;s not the finest grained. It&#8217;s not even the most visually striking at box speed. But HP5 is the film you reach for when you need to get...</p>
<p>The post <a href="https://mediumformatphotography.com/ilford-hp5-plus-history-and-developing-tips/">Ilford HP5 Plus — History and Developing Tips</a> appeared first on <a href="https://mediumformatphotography.com">Medium Format Photography</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Developing Color Film at Room Temperature</title>
		<link>https://mediumformatphotography.com/developing-color-film-at-room-temperature/</link>
					<comments>https://mediumformatphotography.com/developing-color-film-at-room-temperature/#respond</comments>
		
		<dc:creator><![CDATA[Ken]]></dc:creator>
		<pubDate>Mon, 16 Feb 2026 16:50:08 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Developing Medium Format Film]]></category>
		<category><![CDATA[Tutorials]]></category>
		<guid isPermaLink="false">https://mediumformatphotography.com/?p=526</guid>

					<description><![CDATA[<p>If you have ever talked yourself out of developing color film at home, the reason was almost certainly temperature. The standard C-41 process calls for developer at 102°F, held within a degree or two for the duration of the development step. That requirement sends people shopping for sous vide machines, foot spas, immersion circulators, and...</p>
<p>The post <a href="https://mediumformatphotography.com/developing-color-film-at-room-temperature/">Developing Color Film at Room Temperature</a> appeared first on <a href="https://mediumformatphotography.com">Medium Format Photography</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Hard Water Spots on Film Negatives: Causes, Prevention, and Fixes</title>
		<link>https://mediumformatphotography.com/hard-water-spots-on-film-negatives-causes-prevention-and-fixes/</link>
					<comments>https://mediumformatphotography.com/hard-water-spots-on-film-negatives-causes-prevention-and-fixes/#respond</comments>
		
		<dc:creator><![CDATA[Ken]]></dc:creator>
		<pubDate>Sun, 15 Feb 2026 16:45:36 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Developing Medium Format Film]]></category>
		<category><![CDATA[Development Issues]]></category>
		<category><![CDATA[Tutorials]]></category>
		<guid isPermaLink="false">https://mediumformatphotography.com/?p=513</guid>

					<description><![CDATA[<p>Hard Water Spots on Film Negatives: Causes, Prevention, and Fixes Few things are more deflating than pulling a freshly developed roll of 120 film from the drying line and discovering a constellation of white spots and mineral deposits scattered across your negatives. You nailed the exposure. You got the development right. And now there are...</p>
<p>The post <a href="https://mediumformatphotography.com/hard-water-spots-on-film-negatives-causes-prevention-and-fixes/">Hard Water Spots on Film Negatives: Causes, Prevention, and Fixes</a> appeared first on <a href="https://mediumformatphotography.com">Medium Format Photography</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Dynamic Range Of Film Scanning</title>
		<link>https://mediumformatphotography.com/dynamic-range-of-film-scanning/</link>
					<comments>https://mediumformatphotography.com/dynamic-range-of-film-scanning/#respond</comments>
		
		<dc:creator><![CDATA[Ken]]></dc:creator>
		<pubDate>Sat, 14 Feb 2026 22:59:50 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Developing Medium Format Film]]></category>
		<category><![CDATA[Tutorials]]></category>
		<guid isPermaLink="false">https://mediumformatphotography.com/?p=489</guid>

					<description><![CDATA[<p>Your film is holding more information than you think. If your scanned negatives look flat, lack shadow detail, or feel like they can&#8217;t compete with digital captures, the problem almost certainly isn&#8217;t the film — it&#8217;s the digitization process. A well-exposed color negative on modern film stock can record 12 to 14 stops of scene...</p>
<p>The post <a href="https://mediumformatphotography.com/dynamic-range-of-film-scanning/">Dynamic Range Of Film Scanning</a> appeared first on <a href="https://mediumformatphotography.com">Medium Format Photography</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Fogged Film From Light Leaks</title>
		<link>https://mediumformatphotography.com/fogged-film/</link>
					<comments>https://mediumformatphotography.com/fogged-film/#respond</comments>
		
		<dc:creator><![CDATA[Ken]]></dc:creator>
		<pubDate>Sat, 14 Feb 2026 12:54:21 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Developing Medium Format Film]]></category>
		<category><![CDATA[Development Issues]]></category>
		<category><![CDATA[Kodak Ektar]]></category>
		<guid isPermaLink="false">https://mediumformatphotography.com/?p=473</guid>

					<description><![CDATA[<p>Film Fogging: How to Identify and Prevent Light Leaks in Your Photographs If you&#8217;ve ever pulled a roll of freshly developed film from the tank — or received scans back from your lab — only to find mysterious glows, color shifts, or washed-out areas creeping into your frames, you&#8217;ve encountered fogging. It&#8217;s one of the...</p>
<p>The post <a href="https://mediumformatphotography.com/fogged-film/">Fogged Film From Light Leaks</a> appeared first on <a href="https://mediumformatphotography.com">Medium Format Photography</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Inkjet Vs. Darkroom Prints</title>
		<link>https://mediumformatphotography.com/inkjet-vs-darkroom-prints/</link>
					<comments>https://mediumformatphotography.com/inkjet-vs-darkroom-prints/#respond</comments>
		
		<dc:creator><![CDATA[Ken]]></dc:creator>
		<pubDate>Sun, 08 Feb 2026 22:32:35 +0000</pubDate>
				<category><![CDATA[Comparisons]]></category>
		<category><![CDATA[Developing Medium Format Film]]></category>
		<guid isPermaLink="false">https://mediumformatphotography.com/?p=331</guid>

					<description><![CDATA[<p>This is question I&#8217;ve always pondered. I&#8217;ll never stop shooting film, but do I need to enlarge in a darkroom as well? Is scanning and printing a better option? A scanned negative can retain the total gradations and colors I get from film, but also gives me a digital master that can&#8217;t be lost, scratched,...</p>
<p>The post <a href="https://mediumformatphotography.com/inkjet-vs-darkroom-prints/">Inkjet Vs. Darkroom Prints</a> appeared first on <a href="https://mediumformatphotography.com">Medium Format Photography</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>The Cost of Shooting Medium Format  Film</title>
		<link>https://mediumformatphotography.com/the-cost-of-shooting-medium-format-film/</link>
					<comments>https://mediumformatphotography.com/the-cost-of-shooting-medium-format-film/#respond</comments>
		
		<dc:creator><![CDATA[Ken]]></dc:creator>
		<pubDate>Sat, 07 Feb 2026 16:08:57 +0000</pubDate>
				<category><![CDATA[Developing Medium Format Film]]></category>
		<category><![CDATA[Film Photography]]></category>
		<guid isPermaLink="false">https://mediumformatphotography.com/?p=327</guid>

					<description><![CDATA[<p>Shooting medium format film is one of the most rewarding experiences in photography. The massive negatives, the shallow depth of field, the tonal richness — there&#8217;s nothing quite like it. But let&#8217;s not sugarcoat it: medium format film is expensive to shoot, and the costs have only gone up in recent years. Whether you&#8217;re considering...</p>
<p>The post <a href="https://mediumformatphotography.com/the-cost-of-shooting-medium-format-film/">The Cost of Shooting Medium Format  Film</a> appeared first on <a href="https://mediumformatphotography.com">Medium Format Photography</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Film Developing Issues</title>
		<link>https://mediumformatphotography.com/film-developing-issues/</link>
					<comments>https://mediumformatphotography.com/film-developing-issues/#respond</comments>
		
		<dc:creator><![CDATA[Ken]]></dc:creator>
		<pubDate>Mon, 15 Dec 2025 12:17:11 +0000</pubDate>
				<category><![CDATA[Development Issues]]></category>
		<category><![CDATA[Tutorials]]></category>
		<guid isPermaLink="false">https://mediumformatphotography.com/?p=298</guid>

					<description><![CDATA[<p>The image below demonstrates several problems that can occur during home development. Dust, fibers, and processing errors are all common hazards. This test shot shows what happens when chemistry goes wrong. There&#8217;s also a fiber visible near the center—a reminder that medium format&#8217;s larger negatives attract and display more debris. The rest of the roll...</p>
<p>The post <a href="https://mediumformatphotography.com/film-developing-issues/">Film Developing Issues</a> appeared first on <a href="https://mediumformatphotography.com">Medium Format Photography</a>.</p>
]]></description>
		
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